Peter Kyle (Director, Choreographer & Performer) is a dancer, choreographer, teacher, filmmaker and Artistic Director of Peter Kyle Dance, in New York City. Since 1993 his choreography has been presented internationally, including commissions for Kaatsbaan International Dance Center, The Dancenow/NYC Festival, Cornish College of the Arts, UW Summer Arts Festival, the Museum of Glass: International Center for Contemporary Art, University of Stavanger (Norway), X Factor Dance/Dance Base (Scotland), and RSTR4 Art Project in Munich (Germany), among others. Peter Kyle Dance has performed at venues throughout New York City and across the U.S. He choreographed The Only Tribe and is co-creator of the Tiny Dance Film Series. As a performer, Peter has toured internationally with Nikolais and Murray Louis Dance, Mark Morris Dance Group, Erick Hawkins Dance Company, Pittsburgh Dance Alloy, Gina Gibney Dance, Works/Laura Glenn Dance, and with the theater company Pacific Performance Project/east, among others. He teaches at Sarah Lawrence College, Marymount Manhattan College, HB Studio, and conducts residencies and workshops internationally. He has received awards from the Concours Internationale de Danse de Paris, and grants from the Pittsburgh Dance Council, Simpson Center for the Humanities, the Washington State Arts Commission, and the American Music Center’s Live Music for Dance Program. Mr. Kyle holds a B.A. from Kenyon College and an M.F.A. from University of Washington. More information is available at www.peterkyledance.org.

Holley Farmer (Performer) loves working downtown with Peter and Jimmy.  As a leading dancer with the Merce Cunningham Dance Company from 1997-2009 she created twelve original roles and performed in 51 pieces ranging from 1956's 'Suite for Five' to 'Nearly Ninety', Merce's last creation. She holds a BFA, MFA, and Bessie for sustained achievement.  Currently, she is dancing the role of Babe in Twyla Tharp’s “Come Fly Away” on Broadway.

James Bigbee Garver (Director & Composer) has 14 years of professional theatre experience, seven of them as a composer and sound designer. His sonic tools typically consist of both composed and sampled music, sound effects, and live signal processing. He draws upon a very wide variety of sources to bring together a sometimes spacey, sometimes beat-driven and playful pastiche of otherworldly music. Mr. Garver's music has been heard Off Broadway and at various New York City venues including the 92nd St. Y Harkness Dance Center, Joyce SoHo, Japan Society, Performance Space 122, St. Ann's Warehouse, the World Financial Center Word of Mouth festival, and on Long Island at Robert Wilson's Watermill Center. His work for interactive media has been presented or produced by the American Museum of Natural History, the Intrepid Sea, Air and Space museum and Food & Water Watch. As an actor he has performed extensively at nationally-recognized experimental venues in New York City and Seattle, across the U.S., and throughout Europe. He has taught Sound Design and/or served as an artist-in-residence at Whitman College, Abrons Arts Center, Watermill Center, HERE Arts Center, Marymount Manhattan College, Consolidated Works Arts Center, Begat Theatre Compagnie. He received an MFA in Acting from the University of Washington. His other main collaborators are East Third Productions and performance and installation artists Lisa D'Amour & Katie Pearl. More information is available at www.bigbee.org